I visited Iceland for the second time this year, and on one occasion I was fortunate enough to find stormy conditions on Reynisfjara beach, near the Southern coastal town of Vik.
In almost gale force winds, the waves were crashing down from about 3 metres or more in height, and I took a few photos…
However an impressive sight it was in person, these don’t really convey the scale of the waves and the view at the time. So I moved on to try something different.
I really like the feel of those classic Victorian sea storm oil paintings, and I’ve been thinking for a while about how I can capture that in-camera. British photographer David Baker has perfected his technique of coastal photography in his Sea Fever collection, which was also an inspiration here – In fact it’s hard to try to get coastal wave photos without being influenced by Baker’s Sea Fever. But I did want to do something more closely based on that oil painting look, which has been in my thoughts for a while now.
There’s no doubt that the black volcanic sand beaches add something unusual to these photos too. It’s an amazing place to experience first hand.
On a practical level, I had to contend with rain and sea spray on the lens, which meant having to stop and clean the lens after every few shots, but it was well worth persevering…
At the time I was struggling with the fact that the camera was wobbling in the extremely high winds ripping across the beach, but in hindsight, that tiny amount of camera movement adds an extra subtle layer of interest to some of them. As a result I think this one particularly has that oil painting feeling…
For a first attempt, I’m pretty happy with these. I was there for less than an hour, refining the technique, settings, and timing as I went along.
The photo above and the two below are my favourites, and are now available in print…
Reynisfjara StormWave movement from a stormy Icelandic beach.
I love how Victorian oil paintings of ships and rough seas capture the movement and power of the waves, and this was my attempt to do likewise.
Reynisfjara is a beautiful place on a nice day, and a dangerous one in stormy weather. These waves were easily as tall as me, and they crashed down onto the black sand.
Reynisfjara SeasThe waves crash down, on a stormy Icelandic black sand beach.
I took my inspiration for these from the traditional Victorian oil paintings of sea storms, which capture the movement and power of the waves.
Fine Art Landscape photography, Reynisfjara, Iceland.
Bluebell Wood BlurThis was a shot I really wanted to get. It uses a slow exposure to capture the movement in the branches of the trees and create a blurry, painterly effect. It's also a wide-aspect photo, which is very effective for woodland images.
Part of a bluebell landscape project.
Fine art nature photography, Bedfordshire, UK. I’d love to try this again, though living in the middle of the UK, I don’t have many opportunities to photograph coastal storms. But waves aside, I have a few ideas in mind to produce more ‘painterly’ photos in other situations. I want to do this in-camera (ie not just a Photoshop effect to make it look painted), and I’ve got a few other ideas to work on too, but it’s a long term project and it’s something I’ll just be doing now and again when the opportunity arises. As an example, this woodland photo (right) was another painting-inspired image, which I took earlier this year.
Despite achieving a mildly adequate competence with pencils, pastels, and charcoal, I’ve never quite had the knack of painting, so I think this project is a bit of an attempt to achieve that look with a different medium.
Post by George Wheelhouse, 2015.